IMAGINED LIMITS

micro & macroscopic photography

plant leaves, pond water sample, nature

collaboration with Anais-Karenin

2019

Visual essay published in Revista Vazantes of the Graduate Program in Arts of the Institute of Culture and Arts of the Federal University of Ceará - ICA/UFC volume 03 _ no. 02 _ 2019.

FRONTIERS

Divisions between real or imagined territories made discreet among themselves by imposing limits on their fabrics: fabric/non-fabric, macro/micro, objective/subjective

DEVICES

Technical physicalities that allow us to glimpse dimensions that tend to extremes, directing the perception of nature to the macro and microscopic infinities, often without noticing the similarity between them

DOMAIN

The constructed notion that the taking of meaning from the natural must take place through typical paths of different fields of knowledge, ignoring the original complexity and symbiosis that are independent of the belief in the art/science separation

VEINS

Communicating channels that guarantee the existence of complex organic beings bring embedded the notion of circulation, whose metaphor implies a reconnection between art and techne

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INVITATION TO SYMBIOSIS